Because of this, I felt that through not fault of her own, Jo would not be able to deliver the work to me in time to fit my own schedule. Therefore, I elected to colour the two scenes myself, which took very little time and allowed me to start properly compositing a lot earlier. Jo will still get credit in the film for doing the work, because she did it even though I ended up not using it.
Below are the scenes in question, coloured by myself.
On Thursday, Jo requested my aide when it came to cameras and helping her render. Originally I was to set up the render on my own home computer to help speed things up. However, this plan fell through when my computer's copy of Maya unexpectedly started crashing repeatedly. This seems to be an issue with Maya itself, as I encountered similar problems with Matt Evans work a few days before.
Therefore, me and Jo used the studio computers to render her work. I also set up the cameras angles for Jo, who asked for my help with them because she felt my understanding of camera angles was stronger than her own.
This week I also recieved the work that I asked Tim Storrow to do for me. In my film I have multiple shots of a book with the pages turning. I requested that Tim Storrow do these for me in Maya in order to lighten my own work load and make things a little easier on myself. Tim did exactly as I asked, and the only issue of note that cropped up was the rendering, where Maya for no apparent reason would refuse to render the toon lines, necessitating that I restart the entire computer and render again. This only seemed to happen on the university Macintoshes, and was not an issue elsewhere.
Below is an example of one of the page turns:
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